Beyond the Elastic Limit had me confused and impressed at the same time. I suppose this is suitably paradoxical given the nature of time travel!
The novel is centred around a solid model of time; something happens to disrupt it and characters scuttle about to make amends.
The details of this latter aspect are largely given in conversation and need a lot of attention – by the time I got to page 200 I realised that I had a good handle on the time travel element but not the plot or the character stuff around it!
I found it difficult to keep track of the plot – though I hastily add that I don’t think this is due to bad writing. (And at the risk of sounding conceited I’m going to point the blame away from myself as a dumbo reader too). It seemed that during the week that I was reading Beyond the Elastic Limit all external factors contributing to a displeasurable reading experience came into play.
My commuter train, home of my reading pleasure, was plagued by noisy school kids. Dodgy formatting from PDF to ePub format meant that my ereader had a nasty time, and a nosey cold (probably caught from one of those pesky school kids) had me reaching for my tissue every 20 seconds to avoid dripping on said ereader and creating an electrical shortcut 🙁 .
About three quarters of the way through I thought to be fair I should go back and start again in a more healthy and child free environment. But I ended up skim reading out of familiarity, so I jumped back forwards (I think I’m allowed to say that…) to where I was before.
So to reiterate here: the writing is good quality!
One aspect I particularly like is Howard’s eye to detail when it comes to body language. I think many of us have probably heard of the idea where body language accounts for 55% of all communication. It turns out that this is slightly misleading but the point remains that it’s hugely important – not just in communication, but also in providing insights into thoughts, feelings, mood and atmosphere. It’s done superbly!
Beyond the Elastic Limit is in some ways an elegant version of Time’s Eye by Arthur C. Clarke and Stephen Baxter. In this latter novel there are segments of non-sequential time which for some reason are now adjacent to each other. It’s pretty much a writer’s playground where they ask “wouldn’t it be fun if we could write about astronauts meeting Genghis Khan”, and other such scenarios. It’s a transparent set up which goes nowhere. Slowly.
Howard’s offering is much better! There’s brilliant imagery of throwing rocks into the river of time to create splashes and drops which explains how time blows up (and comes back together). And there’s a reason why different segments of time have come apart in the first place, and why they are now stitched together in the way that they are with all its ramifications – including cultural – that go with it.
There’s also time travel technology that’s been built on the model of time as a function of the harmonic frequency that a particle resonates or vibrates. The “Fistula” is a hole in time through which the past can be seen, and is held in check by the “Containment”. Basically, there’s a two part time machine, of sorts.
It’s fantastic time travel nuts and bolts stuff!
Rating * * * *
I wish could keep the time travel element and throw out the complex character development and relationships etc. from the novel. Come to think of it, I wish I could throw out those school kids from the train.
Perhaps it’s a sign in itself that it only took a bunch of school kids to set me off my reading rails, though that said, the time travel component was easily uptaken! If anything, I’d like to leave a highly negative review for the school teachers and parents of the little
s**ts hopes of our future on my train.
Howard Loring’s next novel in the series is Piercing the Elastic Limit, and there’s also Tales of the Elastic Limit which “…can be read backwards as well as forwards”. Stand by for an interview with Howard – I’ll keep you posted!
If you enjoyed this post, you might like to visit or like time2timetravel on Facebook
| 5* Excellent! | 4* Good | 3* OK | 2* Not good | 1* Crud |